What I’m Reading

What I’m Reading

In case you’re wondering what I’ve been reading lately (hey, I get asked quite a bit…maybe because I almost always have a book in my hand). Your mileage with these books may vary…

NOW: Everything Happens for a Reason: And Other Lies I’ve Loved — Kate Bowler
I saw this (and other books) on Bill Gates’ list of suggested summer reading and it sounded like a good one. Bowler is a professor in the Duke Divinity School who was diagnosed with stage IV cancer, prompting her to reevaluate a lot of her beliefs. So far, so good. And expect to see other books from Gates’ list on this page in the coming weeks.

RECENTLY: Shakedown Cruise — Nigel Calder
This memoir from one of sailing’s gurus could not have come at a better time. I’m in the midst of taking my own first tentative steps to sea and finding out right from the get-go that this noted authority made many of the same mistakes (and some that were even more egregious than mine) was comforting. That it’s a fun tale of the adventurous times of a young family at sea was icing on the cake.

Cloudbursts — Thomas McGuane
My brother got me this new collection from McGuane for my birthday. And heaven knows I love me some McGuane. Good stuff from a great writer.

The Sea Wolf — Jack London
If Call of the Wild is about civilization reverting to the feral and White Fang is about the wild becoming civil, this novel is about the struggle between the two—and about how all men (and women) are really a composite of both. London was so good that you wind up liking AND disliking both main characters. Good stuff.

In the Midst of Winter — Isabel Allende
A second straight HCA Literature Award-winner and a second straight translation. And a second consecutive great read. It’s strange: I found this novel to be easy reading. The writing was easy, the plot was easy, the imagery was easy—is that because it was a translation? I don’t know. I just know I liked it…and I didn’t come away from it awestruck and humbled by the writing, as I have when reading many lauded writers (i.e.: Harrison, Lent, Dillard, Proulx and most recently Murakami). Unlike those writers, I came away from Allende thinking, “I can do that.”

Men Without Women — Haruki Murakami
Murakami has won a gazillion awards, including the Hans Christian Anderson Literature Award—and I see why. I was captured from the get-go, and stunning, evocative stories kept me riveted. One story in particular grabbed by the throat and wouldn’t let go. Still hasn’t. Then the final few stories get pretty deep into allegory (which always makes me feel like I’ll never be a good writer because I can’t think with such sophistication) but the writing was still superb. Of course, I read a translation. Just pointing that out.

The Subtle Art of Not Giving a F*ck — Mark Manson
tl;dr: The “tough love” version in the vast library of modern self-help books that are really just Buddhism Lite.
The title suggests it’s a guide to “living a good life” by not giving a fuck about anything. In reality, the book simply points out that you only have so many fucks to give in life, so to speak, so choose wisely. Mind-blowing revelation! (Or not.) Oh, but it does so in such a daring-yet-cute way: “Oooh! He wrote fuck!” Whatev.

First You Have to Row a Little Boat — Richard Bode
This was given to me by a friend at the recent renaming ceremony for my sailboat, Further. It’s a cute book, full of life lessons the author learned as a boy sailing a wooden sloop on Great South Bay on Long Island. There’s nothing subtle about the metaphors used, the lessons learned, but it’s still cute. And it’s sailing-related, so…

Astrophysics for People in a Hurray — Neil deGrasse Tyson
A good, true-to-its-title quick read that is an overview of the state of astronomy and astrophysics. Informative, a couple of wow-inducing moments. A good science books for laypeople by the current king in the field.

I’d Die for You and Other Lost Stories — F. Scott Fitzgerald
It’s Scott. How could I not buy this? To be honest, it’s easy to see why some of the stories did not get published. Others made you realize you were reading a master of the craft. Like I say: it’s Scott.

The Bloody Forest — Gerald Astor
Found this on a friend’s bookshelf and borrowed it. It’s a collection of oral histories of the Battle of the Huertgen Forest—the World War II battle from which, I believe, my father never really returned. Not light reading and it can be a bit herky-jerky the way it bounces around. It can also be tough to keep track of which encounter where he’s talking about at a given time (more maps would have helped), but it’s about a time that had a profound impact on my family so…

Travels with Charley — John Steinbeck
God, I love Steinbeck. No, this isn’t The Grapes of Wrath or Of Mice and Men, but it’s still a charming tale of a journey in search of America. Another boy-and-his-dog tale, as it were. And it’s written with Steinbeck’s inimitable skill and style. Worth reading.

Tribe — Sebastian Junger
Meh. As one fascinated by the tribal nature of human beings, and interested in the nature of the tribes in which I’m a part, Junger’s thesis—that we’ve lost something as we’ve moved from communal life to one centered on individual materialism—is what drew me to this short book. And no, it isn’t really an Earth-shattering thesis. That the author, who’s become little more than an unabashed uniform-sniffer, implies the only way to regain our community, our tribalism, our happiness, is through military action is even less surprising. And the macho posturing gets a little tiresome. His point about the dangers of our current intra-tribal divisions is certainly timely.

Easy in the Islands — Bob Shacochis
Shacochis burst onto the scene with this collection of stories round about the time I was in college. That they’re set in the Caribbean caught my eye; that they’re good stories kept me reading. The stories range from the hilarious to the poignant, and Shacochis paints vivid images. I enjoyed this collection and will be keeping it aboard as a portrait of life in the islands—warts and all.

Petty: The Biography — Warren Zanes
Like many of my age, I was bummed when Tom Petty passed away in early October. This bio is written by Warren Zanes of the Boston band the Del Fuegos, and the writing keeps you rolling along, making the book a fun read. There’s a bit of mythologizing and plenty of things get glossed over, but that’s to be expected, I guess, given it’s a paean to the author’s hero AND there’s a lot of material to cover. The book is also a bit heavy on cliche in places (particularly the conclusion) which was simply disappointing. Still, TP was a major player in my formative years and I’m grateful for having learned more about an artist who, as successful as Petty was, was still better and more influential than I think most music fans realize. (And Zanes’ astute assertions late in the book about how influential rock bands are a thing of the past was sad and sobering.)

Wanderer — Sterling Hayden
Wow! What a great read…and what a fascinating guy. Controversial, to be sure, depending on your thoughts about politics and country and the rule of law and such. But there’s no denying that this guy did it his way. It’s a damned good thing I didn’t read this 40 years ago when I was young and impressionable—I’d definitely have told the world to kiss my ass, gone to sea and never looked back. Sterling Hayden makes Holden Caulfield seem like a phony. That Sterling Hayden was a real, live person only makes him that much more impressive. Now I know what Gen. Jack D. Ripper really meant by  “purity of essence”…

Get Real Get Gone — Rick Page and Jasna Tuta
Bought the electronic version of this for a quick read on my iPad. I actually enjoyed it. Yeah, they’re a bit holier-than-thou about a lot of things, but they’re right about encouraging people to simplify and get out there (and it didn’t hurt that I can be pretty holier-than-thou, too). And they had a couple of specifics that were new to me that I found intriguing.

My Absolute Darling — Gabriel Tallent
This book got a ton of write-up in the Times and a blurb from Stephen King, who called it a “masterpiece” and compared it to Catch-22 and To Kill A Mockingbird. It is filled with amazing writing and is incredible for a first novel. But it’s also heavy. Heavy, heavy, heavy. King’s blurb rightly calls the antagonist a monster and his actions are stomach-churning and soul-crushing for the reader as well as the protagonist. It takes a little while to get rolling, there are some bumpy patches, but the writing makes it as hard to put down as the subject matter makes it hard to pick up.

The Art of Living — Thich Nhat Hanh
I dogeared a lot of pages in this masterpiece full of insight and helpful guidance from the Buddhist monk and poet nominated for the Nobel Peace Prize by Martin Luther King, Jr. (yes, THAT MLK, Jr.). Now if only I could put some of Thay’s teachings into practice in my life. Ah well, “begin again and again and…” as the mantra goes.

Dirty Love — Andre Dubus III
This guy is such a good writer it hurts. No, I mean it literally hurts: the characters he evokes and the stories he tells make your heart ache and your emotions swell. In this collection of related stories, Newburyport’s most famous writer made me feel at various times that people suck, relationships are fucked and that…hold on…well, okay, that person’s pretty good she’s just had some tough times but she’s trying hard and dammit-it-all why can’t she just catch a break for once?! Yeah, really. Powerful, good writing. One of the book blurbs says Dubus “may be the best writer in America.” After reading these stories, I sure as hell won’t argue. Amazing stuff.

One Fearful Yellow Eye — John D. MacDonald
The first novella in the Dubus collection was so heart-wrenching that I ran to good ol’  Travis McGee for a breather. And like one of McGee’s old buddies, Travis came to the rescue with another fabulous, fast, fun ride — although I will say I knew who the bad guy was in this one way earlier than in any of his other adventures.

Do Androids Dream of Electric Sheep — Philip K. Dick
Wow. How more NOT like the more-famous movie version (Bladerunner) could this be? I’ve only seen the original movie; I’m going to watch the so-called “final cut” soon — director Ridley Scott’s vision of the story which is, supposedly, not the watered-down, happy-ending story that the original movie, while still very dark, turned out to be. Ignoring Hollywood’s @#$#ing up of yet another great book…wow. This is a great exploration of what it means to be human: who’s human and who isn’t, what is the significance (and point) of life, and other such big questions. No, really. All in a short novel. Seriously. Give this a read.

The Dark Tower — Stephen King
Whew! Finally finished the saga. And to be honest, I’m glad it’s done. (No, I’m not going to read the add-on King wrote eight years after his original finale; what is he, The Who doing yet another farewell tour?) It’s a great epic and in the way King weaves Arthurian legend and the American West and Lord of the Rings-style tales, he accomplished what I had always wanted to do (see my notes about Song of Susannah) — and no doubt he did it better than I would have. So thanks for that, Steve. He addresses the meta aspect of the story in an afterword to this volume, and while that note seems like a massive rationalization, it’s hard to argue with his logic. But the meta aspect is still kind-of annoying and kind-of arrogant. Oh well. It’s his tale. Should you read the books? It’s a big undertaking, but if you’re into that type of a combo I reference above, have at it. Other than that, stick to his more self-contained tales. And it’s also clear that the movie version (which opened last weekend and got killed by critics and viewers) has little to nothing to do with the written version. Again I say: oh well.

The Accidental Life — Terry McDonnell
A legendary magazine editor who worked with a whole library of classic, amazing writers. And, on a personal note, someone I was fortunate enough to have known at one time, thanks to my mother (that Terry thanks my mother in his notes was a nice, unexpected, touching surprise). At the risk of being really arrogant (who, me?!), I sometimes think I could have traveled a similar trajectory had I been born a little earlier and thus lived during the glory days of magazines. And that feeling increased as I read about his — and the industry’s — transition into the digital present. I know first hand about dealing with old-media dinosaurs and the coming digital age (ask me about the email the group manager at Morris Communications wrote to the entire staff at Alaska magazine after I, at his request, sent out a memo about the Alaska website when I was senior editor there…yikes!). I could have done without some of the glamour and celebrity gawking and name-dropping, but that was the era, wasn’t it? Anyway, my biggest (personal) takeaways were: a) I would still like to live in a world surrounded with other creative people like Terry did. With those giants? Wow!, and b) I wish I’d been more supplicant when Mom arranged a meeting for me with Terry after I returned from playing hockey in Europe. I could have gotten in on the tail end of those glory days of the magazine biz AND moved in those creative circles. Terry and I are different, I realize — he was happy to observe the Hailey (Idaho) Rodeo with Jann Wenner from the top row of the bleachers whereas I moved to the Wood River Valley and lived as a local. But oh, if only I’d seen the bigger picture…

Song of Susannah — Stephen King
This might be the most meta book I’ve ever read. The author actually inserts himself into the story as an important character. Strange, to say the least. I find King’s efforts to root the tale in the so-called “real” world sometimes maddening and sometimes ingenious, but I get the urge. Hell, I remember plagiarizing major elements of T.H. White’s Once and Future King saga and placing them in my world (I was a kid…sue me) because I wanted that kind of morality tale (and the chance for glory) to exist in reality. I still don’t know how King is going to wind up the story, and that’s a good thing. I look forward to the conclusion (I hope). Sidenote: As for the impending film, it’s clear it is not the stories I’ve been reading but is, rather, the concept, with specifics utilized as needed. As with all Hollywood bastardizations, that’s good and bad.

Wolves of the Calla — Stephen King
Part five of King’s fantasy epic. Tore through this one (as I did with the others) and this one seems to have more elements that fit into the trailer for the coming film. A good read though King pulled one “I know but won’t tell you, reader” contrivance about a major plot point that really pissed me off. And when I went back to the trailer and the film’s IMDB page, it’s clear that the movie is so far from the books as to be a completely different story that uses elements of The Dark Tower. Thus far. But I’m on to book six so…stay tuned.

In the Country of the Blind — Edward Hoagland
A good, easily digested novel from the writer John Updike called “the best essayist of my generation.” I’ve read Hoagland’s travel/outdoors nonfiction for ages but never his fiction. This was an interesting contrast to the recently read Jeffrey Lent: Hoagland’s narrative changes within chapters — hell, within paragraphs —  was in stark contrast to Lent’s meticulous arrangement. A bit disconcerting at times but you get used to it. In any case, this novel is an entertaining, well-crafted tale with a bit of incredulity thrown in for good measure. Give it a shot — then go get some of Hoagland’s essays.

Born to Run — Bruce Springsteen
After Jeffrey Lent, I needed something a little less strenuous — and this fit the bill to a T. Finished it in a couple of days (despite its length) because it reads so easily. I’ve been a Springsteen fan since “The River” (fun fact: his first few albums were recorded in a studio in Blauvelt, N.Y., about a mile from the middle school I attended and across the street from the bar my older brother hung out in; Eric said the band would stop in periodically) so I knew this was on the to-read list as soon as it came out. No, there are no Earth-shattering revelations but there are the requisite glimpses behind the veil. Beyond that, it’s just a fun read about a famous person’s life. What stood out for me were a few things:

  • Bruce really was an overnight sensation at a very young age. Reminds me of the Doonesbury character, Jimmy Thudpucker, who, when reminded that he has to include a “dues song” on every album, points out that he never had to pay any because he was an overnight sensation at 19. Sure, Springsteen dealt with some shit (mostly related to his father) but who hasn’t?
  • Given that pretty easy ride, it’s hard to feel Bruce really knows whereof he chronicles, for which he is often lauded. He certainly has no experience in a factory (though his friends and family did) and by his own admission he’s never done a day of work in his life. Yeah, neck surgery is a scary bitch…but it’s way easier when you don’t have to work and you can pay for the best surgeons in the world and so on. Yeah, mental illness is a bitch and it’s good to hear the (legit, not illicit) pharmaceuticals worked for you…but they work a lot easier when their cost is of no consequence to you. That doesn’t diminish the fact that Springsteen has been an amazing chronicler of the human condition and advocate for those in need, but it does make him less of a rags-to-riches story
  • That said, Springsteen’s openness about the mental illness he and his father battled was interesting to learn — and encouraging that he’d be so open about it
  • And finally, his relationship with his father had a few points of very specific resonance with me. My father didn’t go as far as Springsteen’s did, but Bruce’s thoughts on the matter, on his father, gave me things to think about as I continue to process my relationship with my father

Before We Sleep — Jeffrey Lent
Man, oh man. Another masterpiece. The way this guy paints such intimate portraits…truly amazing and captivating. This book, his sixth, stumbles around a bit as it gathers speed. And a few of the sometimes-distracting, miles-long sentences Lent drops in now and again make you wonder if he was doing so simply as a tribute to Jim Harrison. But by the end you will, as one does with all of Jeffery Lent’s novels, catch your breath, smile (with a tinge of a tear at the corner of your eye) and say, “Wow.”

The Dark Tower (parts I-IV) — Stephen King
Stephen King’s magnum opus and soon to be in theaters with Idris Elba in the lead and Matthew McConaughey as the villain. I’ve been meaning to read this for ages and when I saw the trailer I knew I wanted to read it before seeing the flick. I blew through book one, The Gunslinger, in a few hours, and then devoured books two and three because, apparently, the movie takes elements from the first and third. But from what I can see of the film’s IMDB listing and the trailer, the film looks like a totally different story. (First time Hollywood’s done that, right?! Not.) As for the books, well, I like the story but I can’t say it’s blowing my hair back. Elements of the story are wonderfully captivating but it’s almost as if King was schizophrenic when he wrote these books. On one hand, he thought to himself as he was writing, “I need to make this as convoluted as possible and introduce new threads so that this takes seven-plus books to finish.” And on the other, things get resolved so conveniently as to be disappointing and unbelievable. King’s forewords and afterwords in these new editions make it clear that in a way, he was: that writing the installments with so much time in between led to an essentially new author each time. UPDATE: I wrestled with the ginormous fourth book, Wizard and Glass, over the past few days. Most of it is spent in recounting the back story of Roland, the titular character. Again, some quick clean-up scenes disappoint and some other “where did THAT come from” themes confuse — and lay the groundwork for later installments. Oh well. It’s Stephen King. It’s well-written and it’s enjoyable. Take it for that. (But I’m sure I’m going to be pissed when the movie is a completely different tale.)

The Broom of the System — David Foster Wallace
Nope. No better than my recent revisit of Joyce. Some of DFW’s satirical insights into modern society were pretty funny, but I can’t get past the cute-for-cute’s-sake nature of a lot of his writing. Too clever for his own good, to my mind. Sorry, not sorry.

Medium Raw — Anthony Bourdain
I bought this to learn more about someone with whom friends had said I would identify. I’ve never been a professional cook or a junkie (and I’m perfectly fine with my CV lacking both of those), so I wasn’t sure. But this was an enjoyable read. And yes, I do feel like Bourdain and I have some similarities: love of books and reading, love of travel and experiencing other cultures, and an inexplicable anger — and a fear and/or unwillingness to do the work of writing. It was gratifying and encouraging to learn I’m not the only one. And did I mention it’s a fun read?

A Really Big Lunch — Jim Harrison
A collection of food writing from the beloved, admired and envied (by this guy, anyway) writer. Another fun read and a balm for the wound of Harrison’s passing a year ago.

The Power of Now — Eckhart Tolle
I needed some sort of kick-start to my life so I picked this up again. I believe it’s the best of what I call the “Buddhism Lite” books out there. Helpful reminders. One I recommend.

A Purple Place for Dying; The Quick Red Fox; A Deadly Shade of Gold — John D. Macdonald
What can I say? I went to Mexico and went on a massive Travis McGee binge while I traveled. Good writing, entertaining, a character I know and love…perfect for a six-hour layover in the Mexico City airport, or for reading over lunch or during siesta time in a hot, Mexican beach town. Just what the doctor (and travel agent) ordered.

Hemingway in Cuba — Hilary Hemingway
Found this in a bookshelf here at the house…no surprise, Dad being the big Hemingwayophile that he was. Hilary Hemingway is no wordsmith like her famous uncle, but a bunch of the inside info and tales were interesting, as were the photos from that time. Kinda got me amped up to go to Cuba.

Galen Rowell’s Vision: The Art of Adventure Photography — Galen Rowell
A collection of the late photographer’s columns from Outdoor Photographer magazine. Rowell’s photos captured my soul and mind, and I always wanted to have his life (apart from its plane-crash ending). His photos remain amazing but boy oh boy, what an arrogant prick…and it comes out in a lot of his columns. Still, there’s no denying the artistic talent of his photography. And I’d still love to mimic his life…but do it my own way. Fingers crossed…

Ulysses — James Joyce
I tried. Again. I really did. I guess I’m just too old-fashioned to be a modernist. Oh well.

A Book of Migrations — Rebecca Solnit
I stumbled upon Solnit in Green Apple Books in San Francisco. A sucker for travel writing, I bought this book and Solnit’s A Field Guide for Getting Lost (how can you NOT buy a book with a title like that?!). A Field Guide was okay; this one turned out to be great. Not only a “meditation on travel” as the New York Times‘ reviewer called it, it is several meditations: on Ireland, on culture, and on the evolution of language. I very much enjoyed and was inspired by this book.

Light Years — James Salter
Someone (I forget who) turned me on to Salter years ago by recommending Solo Faces. And I read A Sport and a Pastime when Salter passed away in 2015. Light Years is a fascinating character study — studies, really, because it examines the coming apart of a marriage — with loads of Salter’s sublime wordsmithing. But bring your A game because it’s NOT easy reading. It’s a bit dense, to be honest. Almost like reading Joseph Conrad. Stick to A Sport and a Pastime.

Razor Girl — Carl Hiaasen
Hiaasen is back! His best book in years (though really, even his less-great books are still awesome) and another seat-of-your-pants romp through Florida. Featuring Hiaasen’s trademark wit, ripped-from-the-news storyline and a not-so-subtle enviro bent, Razor Girl also manages to skewer reality TV, agents and, of course, lawyers. I read this book in one sitting. ‘Nuff said.

Pennterra — Judith Moffett
I got assigned this book in an environmental-literature class in college. The book stuck in my head and in 1997 I traded emails with the professor, Noel Perrin (who was one of the reasons I wanted to go to Dartmouth), to ask him about it. He sent me a xeroxed copy of the book because it was out of print — this was in the days before Amazon had everything on Earth for sale. Anyway, the book is science fiction and tells the story of two groups of humans — “typical” humans and Quakers — adapting to a new planet whose native inhabitants impose some environmentally driven limits. It’s an allegory for what happened in North America in the 17th century — old world/new world, get it? — and it’s interesting to me for its depiction of the Gaia hypothesis: that a planet and all its inhabitants are one organism. It’s a bit clunky — sexual activity and its role in the planet’s processes is overwrought and quickly becomes tiresome — and I’m not sure I buy the way some of the story lines get all tidied up at the end (human nature seems, to me, to be pretty intractable), but I’m glad I reread it again. Can’t say it needs another rereading. Side note: that Isaac Asimov’s poignant-at-the-time intro remains so appropriate 30-ish years later only makes that intractability of human nature all the more likely.

Jerry On Jerry — Dennis McNally
Given to me by a friend and I’m glad I read it. This Deadhead got insight into his beloved (and missed) Jerry Garcia in Jerry’s own words. The book could have used some editing: it’s a series of interviews and McNally couldn’t resist leaving in several irrelevant and distracting interjections of his own. Hey, Dennis! We’re not here to read your thoughts, we want to hear Jerry’s, thanks.

Here Is New York — E.B. White
I found this short piece — an essay, really — among my mother’s books while going through her stuff this summer. It was a specially bound edition from Vanity Fair — a gift for friends from editor Graydon Carter. I’m not much for New York City as most everyone knows, but since I adore E.B. White’s writing I had to read it. And boy, am I glad I did. That man could write.

Dark Matter — Blake Crouch
I saw a review of this in the New York Sunday Times and this would-be astrophysicist couldn’t resist its Multiverse theme. It reads fast and easily and much like a screenplay — no surprise there given Crouch’s background — and it all ties up just a wee bit too easily in the end. But it was a page-turner. I read this in one sitting.

Barbarian Days — William Finnegan
I resisted this after seeing excerpts in the surfing media but friends kept recommending it so I broke down. And I’m glad I did. Finnegan is an award-winning journalist for The New Yorker and a lifelong surfer. Raised in Hawaii and Southern California, Finnegan went on a long run of exploration and was first (or among the first) at some of the world’s premier breaks. Some of the surfing detail might bore inlanders, and some of his focus on pursuing great writing might bore non-writers, but for this writer/surfer it was a profile of a life to be envied — and a Pulitzer Prize-winning profile, at that.

Nightwood — Djuna Barnes
I tried. I really tried. If T.S. Eliot raves about Barnes the way he did, she MUST be good, right? After slogging through the first third or so, the writing started to take off. There were passages where it was easy to see why Eliot was so taken with Barnes’ poetic stylings. But in the end, it was just too much. Too dense. I bailed. Sorry, T.S.

A Slant of Light — Jeffrey Lent
With the passing of Jim Harrison, Jeffrey Lent now occupies the “best writer in the English language” spot in my pantheon. And truth be told: he may have taken that spot before Harrison’s death. My brother turned me on to Lent with the gift of A Peculiar Grace, Lent’s second novel. I was so taken with it that I went out and read his other three books in short order. Lent’s debut novel, In The Fall, might be the best first novel I’ve ever read. Seriously. I’d call Lent a once-in-a-lifetime wordsmith but he and Harrison overlapped so I guess they were two-in-a-lifetime. Like In The Fall, A Slant of Light takes place just after the Civil War. And like the earlier work, this book’s evocation of the time along with Lent’s powerful presentation of all-too-human emotions and shortcomings is heart-stopping. I can’t wait for Lent’s next work.

The Ancient Minstrel — Jim Harrison
The master on his way out. When Harrison passed in March of this year I went right out and bought this recently released collection of three novellas and then started in after preparing and enjoying an obscenely large multi-serving and multi-wine feast in his honor. And it’s clear in the collection that Harrison knew time was running out. In the not-remotely-veiled title story and in the final entry, The Case of the Howling Buddhas, Harrison clearly wrapped up his larger-than-life stomp on the terra. Confessing his sins? Not someone like Harrison; that’s not his style. But I wondered as the doings of his recurring character, Detective Sunderson, were wrapped up in the Howling Buddhas story: maybe, just maybe, there was a twinge of guilt. Harrison, for all of his faults (and it appears there were many), will remain the central writer in my library. I will return to his work — poetry, essays, short stories, novels…all of it — throughout the rest of my days.