Ozymandias 2.0

I hadn’t been out of the water long when the push notification buzzed my phone at 8:25 a.m. It read: “At 8:30: Only KXXX-TV obtains surveillance video of a gunman robbing a donut shop in…” The moment I saw it, my heart sank as I immediately realized: everything my digital team at KXXX and I have been fighting for over the past two-and-a-half years has been for nothing.

It was a push alert that only two people — the current news director and station manager (who’s also the former news director) — would love. It did one thing and one thing only: it promoted a television newscast.

The problem is that the message was delivered by a digital messenger. And there was no digital payoff. A user who received that message had but one option if they were interested in the story: turn on the TV. Never mind that they might be at the supermarket or Starbucks, asleep in their bed or behind the wheel of their car. There was one way and one way only to engage with the information we had sent out — and that way was not via the device that had alerted them.

There was no link to a story. There was no video on the website. It was 100 percent cross-platform promotion. As such, it was just another spasm in the funky-chicken dance the television networks are doing right now.

Because while there was just one way to engage with the story, there was another, easier way NOT to engage: close the notification and continue on with your day. That was the much easier option, and one that even someone interested in the story would be forced to take if turning on their TV wasn’t possible at that particular moment.

All of this is lost on the management at my station and my corporation (for just three more business days, thankfully, not that I’m counting). It’s a station where the news director says, “I don’t know why we’re even building a digital business; TV makes the money.” And it’s a corporation where the national news director says, “TV makes dollars; digital makes dimes.”

For now, that’s true, Ms. and Mr. News Director. But you two see the ratings every single day. You know that you’re skimming a slice of an ever-shrinking pool. Where once you drew fives and tens for ratings, now you’re drawing ones and twos — and that’s for successful shows in big cities. Do the math. Digital already draws a bigger audience than your newscasts. What it doesn’t do is monetize that audience well. For now.

In a very short time, KXXX-TV and its parent corporation are going to look around and realize that it’s too late. That someone more agile, more focused on the no-longer-emerging-because-it’s-already-here digital world, has aced them out on the local-news front. This new lemming is running around delivering still-ripe digital content to that digital world, while the dinosaur is tossing its regurgitated stuff to its pet lemming, allowing that old, nutrient-poor stuff to be used only after it’s been sent out to the few people still watching TV: blue-haired folks even older than me. And the hundred-year-old-plus company will continue its slow fade to black having squandered its chance to make the next evolutionary step, a step identical to the one its founder made when he went from newspapers to radio, and from radio to TV. It’s an age-old maxim for a reason: adapt or perish.

I’ve detached from situation. I did that two weeks ago when I gave notice. (In truth: I detached months ago when it became clear that the news director and station manager could not be swayed by data or by best practices, but had already made up their own minds on what purpose digital served. So much for “we’re a data-driven company” and “Challenge the Process.”)

But I’m disappointed because I believed this company and station were perfectly set up to take that next evolutionary step. It’s the second time in my career that professional bean counters with old-world myopia have cut short what I thought was going to be a wonderful opportunity to build something digital that lasts. The first attempt, Citysearch, is now a poor man’s Yelp. Oh, what might have been. And the digital properties at my current station (and its sister stations across the country) are a poor man’s Google search result for news with prettier layout. Oh, what might have been. Hell, even the last print product I worked for, Alaska magazine, is but a shadow of its former self, each issue a fraction in size of what it once was.

That was the sad realization as I stripped off my wetsuit this morning: that my resume is a worn-down statue, half-buried in encroaching desert sands, crying out, “Look on my works!” Some of my individual writing is okay and I like to believe I’ve cultivated some great talents as a manager, but the properties I had hoped to help build that might have lasted have instead faded away, leaving little more than historical footnotes (if even that). Sobering indeed.

Here’s to the next phase in the lifelong journey. Maybe the statue can still be dusted off and cleaned up a bit.

It’s NOT a Midlife Crisis

In the spring of 1992 I packed up my Volkswagen camper van with my camping gear, my fishing gear and my dog for a summer-long exploration of Alaska. I called back to my place in Park City, Utah, and heard my roommate’s voice on the answering machine: “…and if you’re looking for Luke, he’s off searching for the meaning of life in Alaska.”

In reality, I wasn’t searching for the meaning of life. Like a lot of 20-something-year-old boys, I was following a woman. She was the first real love of my life — at least from MY perspective it was love — and my journals on the trip reflect the too-cliche teenage angst of what was clearly a one-sided devotion. (Yes, I was in my 20s but it was still teen aged: I was, and remain, very immature for my age. I prefer to think of myself as a late bloomer.) I knew it was over before I even started driving and when she finally lowered the boom in Anchorage — using the line I’d always used: “I’m just not ready for a relationship” — it still hit like a ton of bricks. Despite the fact I’d seen the bricks falling from several stories up, they still crushed my soul and buried me completely. For a time.

You’d think I’d have seen the signs earlier on: principally, the abjectly lousy sex, at a time in my life when what passed as good sex (to a 20-something male) was the very definition of “relationship.”

The irony is that I still had an amazing trip. A life-altering journey. I saw places I’d read about, thought about, dreamed about. And they were REAL. No, Buck and John Thornton weren’t around, but that sense of a young world permeated even the all-too-modern city of Anchorage. And that exploration of a different world ended up guiding my life from then on.

As it turns out, my roommate might have been right because I found the meaning of MY life. That journey set in motion the vagabonding that has been at the heart of the intervening quarter-century. In recent years I’ve slowed down, settling into careers and home ownership and (supposed) upward mobility. But sooner or later I’ve always found my way back out onto the hard edge.

And so I find myself now about to head back out there on lead. Don’t call it a “midlife crisis.” There’s no crisis at all. Quite the contrary: I’m ending the crisis that has been poisoning me from the inside for some time now. And I am assuredly well past the midpoint of my life so that part’s wrong too. Instead, call it a return to innocence. Not that true innocence is ever able to be recaptured, but there is still a semblance of that pure self hiding in all of us. I’ve been blessed that I’ve been able to scratch the surface and find him hiding under just a bit of dust. A shake, a sneeze and a big stretch, and he’s back in the saddle. Or at the helm. Or driver’s seat. Or on the trail. Or…you get the picture.

So now I get me hence. Over time, I’ll recap what has brought me to this current situation, what led me to this most recent — and hopefully final, for-the-rest-of-my-life — departure, but it will likely be all too familiar and thus, all too boring. But then again maybe it won’t. Some of it may even be pretty humorous. Wait and see.

I was nervous yesterday but I’m not now.

From Chicago to Casablanca

Even the prestigious Field Museum got into the spirit of the weekend

Even the prestigious Field Museum got into the spirit of the weekend

Well, it’s been a week since I returned from Chicago and the final three Grateful Dead concerts. The “Fare Thee Well” shows, as they were billed, were the first — and last — concerts to feature the remaining members of the band on stage together since the passing of lead guitarist and de facto heart-and-soul of the band, Jerry Garcia in 1995. And while I had a ton of story/post ideas during the shows, it’s taken a week to digest them all and get them down here on paper, so to speak.

Why so long? Because there were a lot of conflicting thoughts going into the weekend. For instance, Trey Anastasio of Phish took Jerry’s place — much to the consternation of many Deadheads…including me. In fact, I was one of the most virulent anti-Trey folks after the announcement was made. Case in point: a Facebook post I made that put the oft-used “Hitler reacts to…” meme to work regarding Trey’s selection.

But you know what? Trey won me over. He really did. Of course he’s not Jerry. No one will EVER be Jerry. But Trey’s guitar chops were wonderful and, more importantly, his spirit really rose to the occasion. Deadheads went out of their way to show him some love, to welcome him to the family, when he took his first solo during “Box of Rain” Friday night — and you could see that it really got to him. It meant a lot to him that he was being welcomed into a role filling shoes that simply cannot be filled. He knew what he was undertaking, knew he could only do so much, but he made it clear he was going to give it all he could and honor Jerry’s memory. And he did. My only complaint? He doesn’t sing so much as he talks or recites the lyrics. Small complaint, given the so-called “singing” of bonafide Dead bassist, Phil Lesh. (The less said of Phil’s crooning, the better.)

Video sidebar: Even the city of Chicago got into the celebration during Saturday’s intermission with these Fireworks (well…actually they were for the Fourth of July but who’s counting?!).

So…what of the music? Well, the seven guys on stage sounded like great musicians who love to jam and who were working on jamming together. They just need more time. I realized midway through the weekend that by the time I was of age to enjoy the Grateful Dead and their jamming they’d already been at it for 20 years. They’d figured each other out. Give these seven guys 20 years and they could get to a similar place. They won’t get that time so yes, there were a few bumps and hiccups over the course of the weekend. But did I care? No, not really.

Why not? Because it was so good to be back in the scene after 21 years away. Walking into Soldier Field I felt like the prodigal son knocking on the front door at home. And when the first notes of “Box of Rain” began to carry out into the evening sky, I began crying. Yes I did, and I’m not afraid to admit it.

Good friends, good music, good times.

Good friends, good music, good times.

Yes, I miss Jerry. I miss that sense of family that existed at every show, even during the band’s heyday following “Touch of Grey.” But after 21 years away, it was a comfortable sweetness and joy that resulted from knowing those same feelings evoked by the Grateful Dead, by their music and their shows decades ago, were still available if we only put a few pieces together — good tunes, good friends, good vibes — and remember to answer in the positive when the song asks, “All I want to know is are you kind?” In fact, percussionist Mickey Hart’s exhortation after the final encore Sunday night summed up what made the weekend — and what should make up all of our futures: “The feeling we have here…remember it. Take it home and do some good with it. I’ll leave you with this: Please, be kind.”

In August 1995 I drove around Montana and British Columbia on vacation, listening to Dead shows on my cassette player in my truck and getting teary-eyed over Jerry’s passing on the ninth of the month. (My mother called me at work that morning to inform me; I couldn’t help but see her smiling at me last weekend as I danced for three nights — she always enjoyed hearing me explain what the band and the music meant to me.) Two decades later, I realized Jerry is still around. We’ll always have those tours, that music, from way back when.

It occurs to me that last weekend I felt like Rick Blaine. I got to see my old love, briefly, but it was enough. In the years we’d been apart, I’d lost it — lost it until four close friends I’ve never met recruited three other impeccable musicians and brought them to Chicago. I got it back last weekend. Here’s looking at you, Grateful Dead. Thanks for the music.